Chinese and foreign dramatists On Dao Zhou discuss the character of good drama

14 Jul by admin

Chinese and foreign dramatists On Dao Zhou discuss the character of good drama

Chinese and foreign dramatists “On Dao Zhou” discuss the character of good drama
Moderators Zhang Yue, Wang Keran, Jiang Yingchun, Jean Varela, Anna Yisi Ma Tian, Li Xuemin, Xu Xiuling, Hu Zhifeng, Song Ganshu (from left to right) jointly launched the “World Good Show · Chinese Audience Theory Week”activity. Fuyu Photon Varela Egidius Stanchikas Eric Lacascades Stuart Huizhuo Zhang Liang Fuyu Photographed on December 3, by Beijing Poly, Yanghua Drama, Sauna Night Net,Beijing Normal University and European Montpellier “Actor’s Spring” Theatre Festival co-sponsored the first World Good Show · Chinese Audience Week on the Road officially opened.The current Daoist Week starts from December 3 to 6, 2019 at the Kuntai Jiarui Cultural Center in Beijing and Beijing Normal University Antiques, and discusses the topic of dramatic industry development in the three directions of “attitude, depth, temperature”.A total of 7 large-scale theme events.At the opening ceremony, Jiang Yingchun, general manager of Poly Culture Group Co., Ltd., Song Ganshu, president of Sauna Nights, Li Xuemin, director of Beijing Dongdu Culture and Tourism Bureau, chairman of the Film and Television Society of China ‘s colleges and universities, “Changjiang Scholar” of the Ministry of EducationSpecially-appointed professor, Hu Zhifeng, Dean of the School of Arts and Media, Beijing Normal University, Xu Xiuling, Director of Beijing Literature and Art Broadcasting Station, Anna Yis Martin, Secretary-General of Poly Yanghua International Drama Exhibition Season Project, and others attended and attended from theater operators, drama communicationDifferent perspectives of writers, drama educators and drama creators have raised expectations for this Daozhou week.  During the opening ceremony, Song Ganshu, one of the five major organizers and the president of Sauna Night Network, said, “The most fascinating part of the drama is the ability to reach the spiritual resonance of the audience of the current era.Restricted, facing the society, the general public, and ordinary audiences, and opening up space for discussion and participation. I hope that this forum event can really bring part of the outside together. Let’s think about the current status and future of Chinese drama together.”It is reported that in addition to in-depth discussions on the most acute issues of drama and the initiation of young drama creation talent incubation projects, this year’s Daozhou Week released a pioneering cooperation between the Chinese drama field and international drama-Beijing Poly and Yanghua Drama will be inThe argument was announced on the last day of Dow Week, Poly Yanghua ‘s 2020 International Drama Show Season Project.At that time, a number of works representing the world’s top standards, as well as Poly and Yanghua will work together with the world’s top drama directors, and many works produced by the International Theatre Festival will be announced on December 6.In the first dialogue after yesterday ‘s opening ceremony, Chinese and foreign guests said, “Where is the good show?”Started a discussion.  The opening scene drama connects the creators and the audience “World Good Show · Chinese Audience”. The guest director Zhou Dao is composed of France, Spain, Israel, Lithuania and other European top theater festival chairs, theater deans, theater directors, actors and other artists.Jiang Yingchun, general manager of Poly Culture Group Co., Ltd., and Wang Keran, chief producer of Yanghua Drama, together at the opening ceremony of the “Poly Yanghua China-Europe Theater Performance Artist Consultant and the Appointment Ceremony of the Yanghua Drama Art Advisory Group”.France Montpellier Actors Spring Festival Festival Chairman Jean Varela, European director, French National People’s Theatre Dean Jean Bellorini, French director Eric La Cascade, Lithuanian National KaunaDean of the Theatre, Lithuanian drama, film director Egidius Stinchkas, artistic director of the Catalonia La Perla 29 Theatre Company, producer Oriol Brogi, director of Hong Kong, ChinaScreenwriter and actor Situ Huizhuo, seven artists of the General Manager of the Carmel Theatre in Tel Aviv, Israel, Rou Gueta, have created a letter of appointment. They will cooperate fully with the Poly Theatre and the Yanghua Theatre to continue the drama creation and become these dramas.Go to European theatre festivals and theatres, and at the same time train young Chinese theatre talents and develop drama education.At the same time, these 7 artists will also participate in the theme forums of this year’s Lun Dao Wednesday, focusing on “Spring of Drama-Where is the good drama?””,” Drama and Juvenile-Discussion on the Direction of National Drama Education “,” Drama Influence Dialogue “started.  At the opening ceremony, Hu Zhifeng, one of the sponsors of the World Good Show · Chinese Audience Theory Week, Dean of the School of Arts and Media of Beijing Normal University, professor and doctoral supervisor, pointed out at the opening ceremony, “The key word for this event is good show,我觉得中外的好戏都离不开一个字‘情’,这个‘情’用中文来说有三个含义,一是情怀,二是情结,三是情感,戏剧带给我们最大的魅力都在这里,我们‘论道周’表达的不仅是对戏剧内部结构形态的一种展现和探究,也包含对它推动戏剧外在力量的一种关注,这是我们做中国观众论道周非常重要的A motivation.”On the planner of Daozhou Week, Wang Keran, the chief producer of Yanghua Drama, believes,” We have reached a consensus with the major organizers: the vitality of the drama must be the creator of the drama, the creator is the producer of the drama, only theyIn order to resonate with the soul of the theater audience, this is also the source of the vitality of the theater.In this Daoist Week, we spent 4 days intensively planning so many activities, all for the current drama audience, as well as audiences other than them. Its professionalism is to explore the relationship between drama and the lives of ordinary people.Where should they be brought to the end.This is not the humbleness of the drama industry, not the glory of the drama itself.”The standard of dialogue and good drama is” to remember “● Jean Valera (Chairman of Montpellier French Actor Spring Drama Festival): In fact, it is difficult for me to judge drama with good and bad, especially some artistic dramas, It is not necessarily a very successful work, but for a long time, it will stay in the mind and soul of the audience, so that the audience keep asking questions.If we want to have a very good artistic drama, we need to carry the hands of the audience every day, let them participate, face the risks we face every day, learn the spirit of adventure together, so that both sides have great curiosityHeart, because only in this way can we better create, can penetrate into the uninhabited land that is completely unknown, and perform better on the stage.  ● Egidius Stanchkas (Director of the Lithuanian National Kaunas Theater): I think a good drama is that it allows you to watch the drama until you continue to think about it. In the theater you may notI think a lot, but after the next day or even many months, you still think “what does that drama bring us?”This is what I think a good drama should have.  ● Eric La Cascade (French drama director): Artistic drama is a drama related to survival and related to our organic life.We should keep asking what is life and what is the meaning of life, and constantly seeking the true meaning of life.We will deliver a kind of energy, this energy comes from the ancestors and from the society we live in. We are in these energies and are its transmitters.To create a good work, the most important thing is that the actors and the audience work together.  ● Situ Huizhuo (director, screenwriter, Hong Kong, China): The dramatist Brecht once said, “The theater is not inside the theater, the theater should be outside the theater.”A good show should have a penetrating power, it can hit you and penetrate your entire process of watching the show.You see that the lines that a script may write are very beautiful and very good, but your performance has a penetrating power that penetrates the appearance of the characters’ behavior. This is a good show. You can penetrate some laws of the world and finally arrive perfectlyHearts.  ● Zhang Liang (actor): A good show must be able to establish a soul-soul communication with the audience.Another point is that the good show is that after the audience is gone, the audience can be on the road, at home, and even after 10 days, they will review the script and characters.I don’t really want a drama to directly tell the audience right and wrong, joy and sorrow through stories, performance means, because the true right and wrong are relative, so the audience must understand it according to their subjective consciousness.  Collection / Sauna, Ye Zhen Liu Zhen Photography (except for signature) / Sauna, Ye Yan Guo Yanbing